Rajnikanth
Rajnikanth, the style icon and one of the most influential and bankable movie stars in Indian cinema, who is regarded as ‘demigod’ in South India, turns 59. He has acted in some 200 movies in nine languages. His mass popularity and appeal is largely drawn from his mannerisms and stylized delivery of dialogue.
Rajnikanth was born as Shivajirao Gaekwad in a Maratha family in Karnataka in 1950. He did his schooling at the Acharya Pathshala in Bangalore and then at the Vivekananda Balak Sangh, a unit of the Ramakrishna Mission. In his initial days, he struggled to fight poverty.
He began his career doing various jobs in Bangalore. He also attended a theatre for stage plays. Before starting his career in the film industry, he worked as a bus conductor for the Bangalore Metropolitan Transport Corporation in Bangalore. It was during this time that he nurtured his acting interests by performing in various stage plays. Powered by a strong desire to become an actor, Rajnikanth went to Madras, the tinsel town of Tamil Cinema.
He was helped by a friend to join the Madras Film institute and completed his acting course in 1974. Popularly referred to and credited in films as superstar and fondly called as "thalaivar" (meaning leader in Tamil), Rajnikanth debuted in Tamil films in 1975. He got his first break in Kannada movie ‘Katha Sangama’, in which he played a small role. Later he played as cancer-patient in the Tamil movie ‘Apoorva Raagangal’ (1975). This film was directed by K Balachandar, whom Rajnikanth considers his mentor, and who named him Rajnikanth.
He was later favoured in portraying antagonistic characters and gradually rose to acting in lead roles. Most of his movies during the nineties were successful, like Mannan, Padayappa, Muthu, Baashha, Annamalaiand Veera. Rajinikanth wrote his first screenplay for the film Valli. Rajnikanth has acted in over 170 films including movies in Telugu, Kannada, Malayalam, Hindi and Bengali. He also acted in one Hollywood movie - Bloodstone in 1988.
He has acted with notable actors like Sivaji Ganesan, Amitabh Bachchan, Kamal Hassan, Mammooty and Sridevi. He has worked with famous directors like Mani Ratnam and Bharatiraja. Besides being an actor, Rajnikant had also involved himself in politics.
In 2000, he received India's third highest honour, the Padma Bhushan, for his work in Indian cinema. He was reportedly paid Rs. 26 crores (about $6.25 million USD) for his last blockbuster Sivaji: The Boss, making him the highest paid actor in Asia after Jackie Chan.
Apart from a number of awards, he has also received other honours such as Raj Kapoor Award (2007) from the Government of Maharashtra, Kalaichelvam Award (1995) from the Nadigar Sangam, Oshobismit Award (1995) for Spirituality from Rajinish Ashram, MGR Award (1989) and Kalaimamani Award (1984) from the Government of Tamil Nadu. He also received India's third highest honour, the Padma Bhushan, for his contribution to Indian cinema. In 2007, he won the Best Actor award given by the Government of Tamil Nadu for his role in the film Chandramukhi (2005).
His upcoming projects include an animation film Sultan: The Warrior, which will be directed by his daughter Soundarya Rajinikanth. Rajnikanth has also been signed to work with the Sivaji team of S Shankar and AR Rahman once again for another magnum opus, an alleged science fiction thriller tentatively entitled Endhiran. Aishwarya Rai Bachchan will play opposite Rajnikanth as heroine for the first time; the film is touted to be the biggest and costliest film venture yet in India.
source: Hindustan Times
Shriya
Rajni's rage
It’s almost 10 days now since its release in record number of theatres in Tamil Nadu and several other states across the country, and Rajnikanth’s Sivaji: The Boss still continues to hold the people in awe at the sheer grandeur of its production enriched by unprecedented play of the computer graphics. Not just the usual lower and middle class crowds from the thousands of fan clubs of the superstar but even the upper crust of society, including several high-paid professionals, queued up for tickets hours before the plans opened on June 10 for the much-awaited movie, widely rumoured to have cost the producers, AVM Studios, Rs 75 crores and more.
"It’s the biggest production ever released in the entire Indian movie industry," gushed A.V.M. Saravanan, the producer. "Everything about this film is grand." Industry experts were quick to point out that Sivaji carried the most potent mix ever attempted in Kollywood — Superstar Rajnikanth, Midas-touch director Shankar and the most-respected production house, AVM.
Add to that the biggest selling name in the Indian cine music, A.R. Rahman, the highly talented cinematographer K.V. Anand and the "magic-man" Thota Tharani as art director. "Sivaji will collect over Rs 100 crore and that is a very modest figure," said a Kollywood senior. "Already, the movie has led to a debate that Rajni is bigger than Big B, since this film is a hit in Telugu also, besides collecting huge sums in Karnataka and Kerala, not to forget Mumbai and the north. "We are getting requests for more prints from these states but have decided to go slow, considering options for dubbing into those languages," said an AVM official.
"Not just that, the box office statistics in the UK included Sivaji in the top 10 among recent releases and during the first 12 shows, the movie collected an average of £14,050 per show," he said. The studio is planning to dub Sivaji into Japanese — since there are many fans in Japan after his blockbuster Muthu was made some years ago — while there were enquiries for Chinese and Malay versions as well.
"I saw the late-night show of a stupid movie at the Satyam multiplex on June 9, so that I could get into the queue for Sivaji around midnight and be among the first few to get the tickets. And I found there were already 11 people ahead of me when I got to the line at 1 am," recalled Jayapal Gokul, a second-year student of engineering in Chennai.
"When I went to college that day, I was as big a hero as Rajni when I showed the tickets to friends at the canteen," he said. There were several such scenes of jubilant fans flaunting the Sivaji tickets to friends at schools and colleges, offices and IT parks. Managing a ticket became a "prestige issue", to quote a software pro, even as the theatres were flooded with special requests for block-bookings from corporate groups, IT companies and even the welfare associations of the residential colonies.
"We have not witnessed such enthusiasm for any other film. We are unable to process all the special requests for bulk tickets because the demand has been so high," said Supriya of Satyam multiplex.
"I have been in the business for over 30 years and I have not seen such crowds for any other movie. Sivaji is undoubtedly the biggest grosser ever," said Sv. Rm. Ramanathan, proprietor of the Abhirami theatres in Chennai.
Reports from the districts are no different — seats are booked days ahead. The police were flooded with complaints that blackmarketeers were making a killing, with some theatre managements too joining in.
"During the opening week, we got complaints that Rs 90 tickets were being sold at Rs 1,000 each. We have made some arrests," said a senior police official. The media was full of stories of fans performing special prayers, breaking coconuts and lighting camphor inside the theatres, bathing the Rajni banners with milk and even beer in a few cases. In short, the fan frenzy was unprecedented and refused to wane. "Smokers step out five to six times for a quick drag during any movie show, but I was shocked to find nobody in the lobbies while Sivaji was running. They did not want to miss the next scene, the film is so gripping," said Abhirami Ramanathan.
"Romba Brahmandama Irukku (It’s very grand, magnificent), commented chief minister M. Karunanidhi after seeing a special screening arranged by AVM Saravanan at his studio. Interestingly, Sivaji brought the two wives of the octogenarian Dravidian stalwart together as both Dayalu Ammal and Rajathi Ammal arrived with him, though separately, and sat in different rows to enjoy the Rajni flick.
Saravanan arranged for a special show for the AIADMK supremo Ms Jayalalithaa on the same day of the movie’s release. The heroine of yesteryears came out stunned. Rajnikanth was present during both the VIP screenings at the AVM Studios. Much later, a popular Tamil magazine gave a twist to his "hospitality" by accusing the hero of using the two top political leaders for publicity for his film.
However, Kollywood experts say Rajnikanth need not have depended on the testimonials of Karunanidhi or Jayalalithaa to promote his Sivaji. The movie has had an awesome build-up in the media from day-one after the shooting began in December 2005, thanks to strategic marketing by M.S. Guhan, son of Saravanan. "In fact, I was reluctant to produce this film when director Shankar discussed the project because it was too huge even for a production house like AVM, which has made 167 films till then over the last 61 years. But Guhan said he would be able to handle it and he has come out triumphant. Rajni himself told me that I must be proud of my son," said Saravanan. Among the "grand" spectacles that must have overawed even the seasoned AVM producer is a song shot in the now-defunct Binny Cloth Mills, done up to look like an Italian pavilion by Thota Tharani. Besides, the fight sequences — particularly the climax having the superstar bash up the villain amid thousands of flying 1000-rupee notes, not genuine though — must have cost the heavens.
In spite of all those big bills and inevitable production hiccups, if the mega project went through its schedule and hit the screen with such a bang, most of the credit must go to the hero, insisted Saravanan. "He would be on the sets before the others. He would sit and watch even when the shot did not require him. Such was his involvement and he had absolutely no airs about him despite being the superstar," he said. Did he expect Sivaji to create such hype and emerge a commercial hit? Saravanan said he had no doubt of that and the production schedule and the box office reports amply justified his confidence. Insisting that his film was blessed even before the shooting began, the producer recalled an interesting anecdote. When he got the sudden call from director Shankar saying that he was with Rajni and they would like him to come over to discuss the project, he asked his son Guhan to accompany him.
Halfway to the venue of the meeting, he thought it appropriate to pay Shankar and Rajni a token advance for accepting the film. He had two new one-rupee notes and Guhan had two fresh 1000-rupee notes, so they decided to give the director and the superstar an advance of Rs1,001 each. "Both of them did not mind the small amount considering our close association. But when we returned to office, Rajni phoned Guhan and asked how we managed to get those currency notes. The numbers in the two notes given to him added up to his lucky number nine and those given to Shankar made his favourite eight. That was providence and I knew only then that Sivaji would be a hit," recalled Saravanan.
What makes the dark-skinned 54-year-old still click with the audiences, young and old, across language and culture barriers? "Undoubtedly his hard work and commitment, besides the Rajni style of course. The stunt director had made him do what even the 25-year-olds could find tough but Rajni did well though there was some help from the computer graphics team," explained a production executive.
"More than anything else, Rajni is very religious. He has been blessed and that’s why he is the superstar," said Saravanan, recalling that the hero had chosen for his little quarters during the shooting a room with window overlooking a temple.
"It’s the biggest production ever released in the entire Indian movie industry," gushed A.V.M. Saravanan, the producer. "Everything about this film is grand." Industry experts were quick to point out that Sivaji carried the most potent mix ever attempted in Kollywood — Superstar Rajnikanth, Midas-touch director Shankar and the most-respected production house, AVM.
Add to that the biggest selling name in the Indian cine music, A.R. Rahman, the highly talented cinematographer K.V. Anand and the "magic-man" Thota Tharani as art director. "Sivaji will collect over Rs 100 crore and that is a very modest figure," said a Kollywood senior. "Already, the movie has led to a debate that Rajni is bigger than Big B, since this film is a hit in Telugu also, besides collecting huge sums in Karnataka and Kerala, not to forget Mumbai and the north. "We are getting requests for more prints from these states but have decided to go slow, considering options for dubbing into those languages," said an AVM official.
"Not just that, the box office statistics in the UK included Sivaji in the top 10 among recent releases and during the first 12 shows, the movie collected an average of £14,050 per show," he said. The studio is planning to dub Sivaji into Japanese — since there are many fans in Japan after his blockbuster Muthu was made some years ago — while there were enquiries for Chinese and Malay versions as well.
"I saw the late-night show of a stupid movie at the Satyam multiplex on June 9, so that I could get into the queue for Sivaji around midnight and be among the first few to get the tickets. And I found there were already 11 people ahead of me when I got to the line at 1 am," recalled Jayapal Gokul, a second-year student of engineering in Chennai.
"When I went to college that day, I was as big a hero as Rajni when I showed the tickets to friends at the canteen," he said. There were several such scenes of jubilant fans flaunting the Sivaji tickets to friends at schools and colleges, offices and IT parks. Managing a ticket became a "prestige issue", to quote a software pro, even as the theatres were flooded with special requests for block-bookings from corporate groups, IT companies and even the welfare associations of the residential colonies.
"We have not witnessed such enthusiasm for any other film. We are unable to process all the special requests for bulk tickets because the demand has been so high," said Supriya of Satyam multiplex.
"I have been in the business for over 30 years and I have not seen such crowds for any other movie. Sivaji is undoubtedly the biggest grosser ever," said Sv. Rm. Ramanathan, proprietor of the Abhirami theatres in Chennai.
Reports from the districts are no different — seats are booked days ahead. The police were flooded with complaints that blackmarketeers were making a killing, with some theatre managements too joining in.
"During the opening week, we got complaints that Rs 90 tickets were being sold at Rs 1,000 each. We have made some arrests," said a senior police official. The media was full of stories of fans performing special prayers, breaking coconuts and lighting camphor inside the theatres, bathing the Rajni banners with milk and even beer in a few cases. In short, the fan frenzy was unprecedented and refused to wane. "Smokers step out five to six times for a quick drag during any movie show, but I was shocked to find nobody in the lobbies while Sivaji was running. They did not want to miss the next scene, the film is so gripping," said Abhirami Ramanathan.
"Romba Brahmandama Irukku (It’s very grand, magnificent), commented chief minister M. Karunanidhi after seeing a special screening arranged by AVM Saravanan at his studio. Interestingly, Sivaji brought the two wives of the octogenarian Dravidian stalwart together as both Dayalu Ammal and Rajathi Ammal arrived with him, though separately, and sat in different rows to enjoy the Rajni flick.
Saravanan arranged for a special show for the AIADMK supremo Ms Jayalalithaa on the same day of the movie’s release. The heroine of yesteryears came out stunned. Rajnikanth was present during both the VIP screenings at the AVM Studios. Much later, a popular Tamil magazine gave a twist to his "hospitality" by accusing the hero of using the two top political leaders for publicity for his film.
However, Kollywood experts say Rajnikanth need not have depended on the testimonials of Karunanidhi or Jayalalithaa to promote his Sivaji. The movie has had an awesome build-up in the media from day-one after the shooting began in December 2005, thanks to strategic marketing by M.S. Guhan, son of Saravanan. "In fact, I was reluctant to produce this film when director Shankar discussed the project because it was too huge even for a production house like AVM, which has made 167 films till then over the last 61 years. But Guhan said he would be able to handle it and he has come out triumphant. Rajni himself told me that I must be proud of my son," said Saravanan. Among the "grand" spectacles that must have overawed even the seasoned AVM producer is a song shot in the now-defunct Binny Cloth Mills, done up to look like an Italian pavilion by Thota Tharani. Besides, the fight sequences — particularly the climax having the superstar bash up the villain amid thousands of flying 1000-rupee notes, not genuine though — must have cost the heavens.
In spite of all those big bills and inevitable production hiccups, if the mega project went through its schedule and hit the screen with such a bang, most of the credit must go to the hero, insisted Saravanan. "He would be on the sets before the others. He would sit and watch even when the shot did not require him. Such was his involvement and he had absolutely no airs about him despite being the superstar," he said. Did he expect Sivaji to create such hype and emerge a commercial hit? Saravanan said he had no doubt of that and the production schedule and the box office reports amply justified his confidence. Insisting that his film was blessed even before the shooting began, the producer recalled an interesting anecdote. When he got the sudden call from director Shankar saying that he was with Rajni and they would like him to come over to discuss the project, he asked his son Guhan to accompany him.
Halfway to the venue of the meeting, he thought it appropriate to pay Shankar and Rajni a token advance for accepting the film. He had two new one-rupee notes and Guhan had two fresh 1000-rupee notes, so they decided to give the director and the superstar an advance of Rs1,001 each. "Both of them did not mind the small amount considering our close association. But when we returned to office, Rajni phoned Guhan and asked how we managed to get those currency notes. The numbers in the two notes given to him added up to his lucky number nine and those given to Shankar made his favourite eight. That was providence and I knew only then that Sivaji would be a hit," recalled Saravanan.
What makes the dark-skinned 54-year-old still click with the audiences, young and old, across language and culture barriers? "Undoubtedly his hard work and commitment, besides the Rajni style of course. The stunt director had made him do what even the 25-year-olds could find tough but Rajni did well though there was some help from the computer graphics team," explained a production executive.
"More than anything else, Rajni is very religious. He has been blessed and that’s why he is the superstar," said Saravanan, recalling that the hero had chosen for his little quarters during the shooting a room with window overlooking a temple.
Rajnispeak
The superstar’s famous punchlines:
* Sivaji pera ketale chumma adhurudhulla(As soon as you hear my name you will feel the tremors).Kanna panninga dhaan kootama varum, singam single-a dhaan varum(Only pigs come in a gang, lion comes alone).Sivaji: The Boss, 2007
* Khatham, gatham. (The past is past). BABA, 2002
* En vazhi – thani vazhi. (My way is a unique way). Padayappa, 1999
* Andavan solran. Arunachalam seiran.(God commands, Arunachalam executes). Arunachalam, 1997
* Naan eppa varuven, eppadi varuvennu yarukkum theriyadhu, aana varavendiya neratthil correct-aga varuven. (When I will arrive, or how I will arrive, nobody will know, but I will arrive when I ought to). Muthu, 1995
* Khatham, gatham. (The past is past). BABA, 2002
* En vazhi – thani vazhi. (My way is a unique way). Padayappa, 1999
* Andavan solran. Arunachalam seiran.(God commands, Arunachalam executes). Arunachalam, 1997
* Naan eppa varuven, eppadi varuvennu yarukkum theriyadhu, aana varavendiya neratthil correct-aga varuven. (When I will arrive, or how I will arrive, nobody will know, but I will arrive when I ought to). Muthu, 1995
Source: Deccan Chronicle
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